WHERE THE HELL IS THE NEW JUNK

Remember when I use to post a new item everyday? I do. It was crazy. I had this loft bed that I would work under. Coming up with designs on a daily, making like a crazy person. I miss making that way and am looking forward to creating with that type of vigor. Just so you know that loft bed has since been cut down (i no longer need a ladder o go to sleep) and the operation has moved from under it. The last year has been a bit of a grown folks bootcamp. I turned thirty years old and was was like, 'WTF I need to get my shit together, I haven't traveled the world, stabilized my biz nor figured out if I believe in money or not" Believe it or not within that confusion I discovered that I'm a pretty nifty soft goods stylists and have been working  for People stylewatch, Elle, Moda Operadi and PVH, Calvin Klein. It's been a long time since I've listed new junk and shot pictures, I've been on the crazy grind and most of my time and energy has been spent doing editorial product styling, my name is floating on your local newsstands but my 'junk ideas, concepts, political commentary and sillyness' has been pretty much stuck in my head. The creative process is a funny one, if you don't get the ideas out you get mind constipation. That's what I'm dealing with right now. A dusty studio space and straight up mind constipation. Don't get me wrong, taking some time off has been a good thing for the following:
  • It made me realize that I run junkprints as an outlet for the stuff I make. I don't make stuff for junkprints. Basically, the business follows the art, not the other way around, stuff gets real fowl when it goes the wrong way. Some of you hard core entrepreneur number crunching business folks may think that's crazy talk, but frankly my dear, I just don't give a damn. It's important that I create work that is valuable, if it's profitable then that's a plus. It's important to me that junkprints is driven by value. I've tried the profit model and the reality is that there are waaaaay better ways too make money then making stuff and  for me, that's a hard reality to come to. Writing it sounds so simple, guess that's how lessons go.
  • Got real with monies, and answered some questions like where do you REALLY see yourself in 5 years.
  • Visited New Orleans for the first time
  • Took my dad to Costa Rica,
  • I took a real estate course, (just so I could see how things work, I'm this close to getting that building),
  • Had my lil sister move in (and have been gently kicking her in the butt, yay she's in college and will not be in debt),
  • Severed some ties with some close folks in my life and have also sent some really valuable time with some other close folks
  • Taking hot yoga hard core consistently for over a year (thx @sacred).
  • Sandy happened, what a mess
  • Trayvon had his right to live taken from him, and a case made clear that the US court supports the notion that  Black male Americans are threatening and it's ok to shoot them (and I don't want to talk about it on facebook).
  • Been watching most of my friends breed like rabbits, babies everywhere! Amazing and strange
  • Also, I've been graveling with social networks, personally, I don't really like them as 'social networks', but I love them for inspiration and as outlets for stuff created.
  • All in all, I've been breathing, and being private
Finally, I've had a chance to let some of this creativity out, this is just a weee bit, a very very cotton candy soft launch but here it is. I was a bit nervous shooting this time around. It's been a year and within that time I've managed to amass some insecurities and garner some new super powers. Either way. Thanks for the support on this journey and enjoy the new junk, it's so well made it's ridiculous. IMG_2431yIMG_2198 copy
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DETROIT AN OUTSIDERS PERSPECTIVE

Let's chat about Detroit. The first (and last time) time that I ever visited Detroit was for a family reunion. I was 14 years old and went with my paternal grandmother. She and my grandfather grew up there and moved to southern california before the idea of me, other grandchildren and great grandchildren ever existed. That place was the most depressing place that I had ever seen in my life. This was the 90's, Southern cali was gang land and wearing certain colors could get you rough up or killed, but Cali wasn't hopeless. It was tense. There's a quite a difference and that is what I learned as a 14 year old. I had never been to a city that had weeds the sizes of trees growing out of the freeways. It felt like no one cared about this place. They didn't even care enough to be angry.  Maybe folks use to care about the place, but no one cares about it now. This was the first time that I had ever seen a 7-11 that one could not go in, and was made of bullet proof glass, put the money in the bullet proof plexi turny thing at the counter and then the clerk slides around your change and request. I visited the 'great' Motown museum that looked as though it was falling apart at the seams. I had the opportunity to meet my relatives and see my grandmother be frustrated and annoyed. She's quite a composed lady so this was very rare form for her, but it was something I appreciated. It made her seem like a more dynamic person and I understood that she had made quite a concerted effort not to be in Detroit. This is the same woman who lived in NY and worked as a nurse and at one point even lived in Alaska. That's a different story though. Let's get back to Detroit. Detroit felt like it use to be amazing, a long time ago, and folks kept reminding others that it use to be amazing as the the city is slowly falling apart. It was like showing up to a party 20 years too late. Since that trip I've been facsinated with Detroit...from a distance. It's amazing and bazaar that a place that I have always felt represents many if not most American cities. Industry comes, folks work and live, industry leaves and the folks are stuck. Eventually trains stop rolling through, flights become few and far between, those that can leave do those that can't or won't stay and become forgotten. This seems like it can happen to just about any city in America. I've always felt that If there is a revival for the Motor City it will be spearheaded by artists and DIY folks, both insiders and outsiders. A few years ago when I first caught wind that one could buy a house in in Detroit for the cost of one months NYC rent. My ears perked up a bit and I mentioned to a few friends that we should but a few places near each other and set up shop...but  I wondered if I had enough optimism to actually live in Detroit or if the hopelessness would swallow me.  Well, I guess I decided that the hopelessness would swallow me and decided that it's not my journey right now. In the nature of artists creating awareness I recently saw to documentaries that addressed Detroit...in two different ways. The first one is Searching for Sugar Man. It's a Swedish/British documentary directed by Malik Bendjelloul. It is about is an American folk musician Sixto Díaz Rodríguez based in Detroit, Michigan. His career initially proved short-lived with two little-sold albums in the early 1970s and some brief touring in Australia. Unbeknownst to him, however, his work proved extremely successful and influential in South Africa, although he was mistakenly rumoured in that country to have committed suicide. In the 1990s, determined South African fans managed to seek out and contact him, leading to an unexpected revival of his musical career. Their story is told in, Searching for Sugar Man, which has also helped give Rodríguez a measure of fame in the U.S. I enjoyed that Rodríguez continued to live out the themes and views addressed in his music even though his music carreer was pretty much non existant for most of his life. He worked from the inside out and is a bit of a reminder that, it's not a race. It's not linear. It's life and that's all. One more thing...he makes Bob Dylan's music seem like elevator music. A portion of it was shot with an iphone proving that many of us have all the tools we need to create in our pockets...pretty powerful. I saw Detroitopia and was happy to see a documentary that tackled many perspectives on the city of Detroit. Detroitopia focused mainly on the economy and was directed by Heidi Ewing and Rachel Grady. 'The three Detroiters who are profiled are video blogger Crystal Starr, nightclub owner Tommy Stephens, and United Auto Workers local President George McGregor, each of whom reflect on their own experiences and share their observations about the city, its problems, and its opportunities. Also featured are portions of Mayor Dave Bing's discussions with city officials and residents about the possibility of geographically consolidating Detroit residents as a cost-saving measure. A group of artists, mostly newcomers to Detroit, are shown as well, particularly Steve and Dorota Coy. The Coys, who are performance artists, are featured on the poster and DVD cover for the film.' (info courtesy of wikipedia) The artists they showed kinda annoyed me. I have issues with outsiders being too large of a representative for problem solving. I wish they were working more with the local community (or if that was shown, if they are). That's my own issue though, and overall I was happy to see that the city was thoughtfully and sensitively documented. Detroit may still have a bit of magic left. What are your thoughts?    
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Upcoming Gallery Exhibition! OPENING JAN 27th

IONA College Council on the arts 715 North Avenue, New Rochelle, NY 10801 BlackHair: Black Identity Sunday Jan 20th-Thursday Feb 21 Opening reception Sunday January 27th 1p-3p Curated by Peridot Smith Featuring art by Natassia Davis, Chanel Kennebrew, Soo Yoon Lym, Jamel Shabazz, Alexandria Smith, James Petrozzello, Tabitha Bianco Brown, Toyin Odutola, Philece R. and Peridot Smith Refreshments Live Music by DJ Spawn Live hair styling Demonstration by Diva Designs and Cuts by D For further Information, call 917637-7796 or visit www iona.edu/artscouncil
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HOLIDAY 2012 POP UP SHOP! NEW YORK, NY November 17, 2012

I'm always honored to rock with the Toofly, Circa95 crew. Just received the press release which means the pop up shop is officially on and Junkprints (aka me) will be there! See below for the deets.

LADIES LOVE PROJECT PRESENTS:

HOLIDAY 2012 POP UP SHOP! Shopping Event Showcases Brazen Art, Avant-Garde Fashion & Design at the  University Settlement!

On Saturday, November 17, 2012, the LADIES LOVE PROJECT presents its 6th POP-UP SHOP at University Settlement 183 Eldridge St from 12pm – 10pm. The PROJECT, a brainchild of renowned street artist TOOFLY, sound sensation PattyDukes & Rephstar of the Circa95 duo and creative non-profit efficionado A.Mari, highlights some of NYC’s most creative underground artists and designers.  The one-day-only event boasts an intimate, yet extraordinary colorful market shopping experience – designed to familiarize consumers, media and tastemakers with artists currently celebrating prominence.

Featured female market designers and artists include Toofly, Junkprints, Vanilla Medallions, Dominique Reneè, Shiro – as well as the fellas Marka27, Rebelution, Soh Nup Ink,  and a host of others, will be exhibiting one of a kind, limited edition, handcrafted goods just in time for the holidays! Event music across all genres will be handled by RephStar and Dj Enygma. A live broadcast of the event will be streamed all day at www.Circa95.com and will include the first ever performance showcase by Brooklyn based rap sensation, and self-proclaimed “Mistress of Ceremonies,” Jasmine Solano. Complimentary empanadas, coquito, and cupcake treats will be served by Jenny Kinns Cupcakes, Mi Isla Coquito, and Martha’s Kitchen.  Funky fresh ladies in the *new* LLP Lounge will be rocking make-up makeovers, dope nail art, and tarot card readings. This year the photo fun will continue with homegirls Sheena She on deck with event photography and Samantha Morales holding down the LLP Photobooth!

University Settlement, a celebrated art and community space located in the Lower East Side, plays host to the eclectic mix of prosperous and established talent. Art pieces on canvas, jewelry, t-shirts, graffiti, make-up, nails, live music—you name it— the LADIES LOVE PROJECT HOLIDAY POP-UP SHOP doesn’t get any more New York than this! “Having the LADIES LOVE PROJECT POP-UP SHOP in our space is a perfect fit,” says Alison Fleminger,  Manager of University Settlement space. “All of the vendors have styles that honor old New York, but each demonstrates a unique progression with great, must-have niche items.” “We are ecstatic and honored to be partnering with such a NYC institution of Art! We, the LLP team and event participants, are enthused to be hosted in this inviting space – the pop up will be sure to kick the holiday off with LOVE!”

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note to self: MAKE MORE ART

Recently I  completed 2 custom pieces for a collector. It was a pretty fun project. I've always been a bit of a spastic artist, flip flopping between materials and surfaces. It's nice to get back to a flat surface and this project reminded me how nice it is to just make art....slow art, paint art, illustrative art. As much as I love my digital tools I've been missing the journey of using the analogue tools. These pieces are about 2 feet high and 5ft and 2ft by 3ft.      
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Summerfest Kick-Off Party & Silk-Screening Workshop 6/8/12

Along with Council on the Arts & Humanities for Staten Island, I will be doing a free silk screen workshop on June 8th! The following are the deets 😉 Summerfest Kick-Off Party & Silk-Screening Workshop Join your friends, neighbors, and Summerfest grantees for a fun Summer’s night out! Start your night with a free silk-screening workshop with Chanel Kennebrew of Junkprints. Bring a shirt, and Chanel will help you make it into a work of art. Enjoy music by Summerfest grantees Omnia and Bob Wright & Harbortown, and celebrate with refreshments, including a ‘’Make-Your-Own-Sundae-Bar.’’ Bring a blanket or chair to sit! Free for everyone! When: Friday, June 8, 6:30-10pm Where: Tappen Park, intersection of Canal, Bay, and Water Streets in Staten Island
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Currency Exhibition: “What If We Re-Made U.S. Economic Policy?” 06/15/2012

Is thrilled to announce that I will be exhibiting new art work centered around “What If We Re-Made U.S. Economic Policy?” Dates 06/15/2012 Time 6:00 pm - 9:00 pm Venue Info Supernova 26-19 Jackson Avenue Long Island City, NY, 11101 In 1944, during World War II, President Roosevelt called for an Economic Bill of Rights. “People who are hungry and out of a job are the stuff of which dictatorships are made,” he warned. Today, some would say we have inherited that fate, although they might disagree on the causes and the culprits. In a new world, how would artists create a sustainable and equitable economy to the benefit of citizens, businesses and communities? “What If We Re-Made U.S. Economic Policy?” is a QAX event featuring new collaborative work by Leslie Alfin, Theresa Byrnes, Chanel Kennebrew and Toshi Reagon. Presented by Queens Council on the Arts with generous support from Rockrose Development Corp. QAX After-Party w/ GlobeSonic Sound System: 9-11pm @ Currency, immediately following this New World event.
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BLUE COLLAR

America is one hot mess, it's always been a hot mess. I'm glad that the US has finally taken note of this, with the Occupy everywhere protests. I only wish the protests were more focused.  Many things suck, but they get better when we get better...aggressively better. We will work harder than our parents for less, because unfortunately America was build on the backs of stolen, borrowed exploited labor and efforts and most of us has reaped the benefits of that exploitation to some capacity...and honestly we can't all be kings queens, ceo's and overpaid executive, but we can stop supporting the folks and establishments we don't believe in. And there's no shame in using your hands to make things and earning a day's wage. Unfortunately this is something most of us will have to learn to do. Most of my day job pals have finally stopped looking for jobs (after getting hired, then getting laid off then getting hired for less pay, then getting laid off, dealing with delays in payment etc.) I'm proud of them because they are finally putting there efforts into marketing skills they possess. Teaching dance, vocal lessons, baking, basically doing things in which they are not brokers in a service. they are actually providing a valuable task or deliverable. All great changes came from folks that shifted they way they thought about things. Don't like the walls knock them down, or leave the room. Big ups to all the Blue collar workers. America needs more of them. We need to make things, particulary the things we use. Remixed with my hands especially for you: The Remixed Blue Collar shirt
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GO BIG and GO RUNAWAY FROM HOME

It's important for me to make ridiculous things from time to time, so I decided to make another huge bag , and just in time for the fake Hurricane Irene, Don't even get me started on that hoopla, anyhoot,  here's the big bag

This is the hugest bag I've ever made and Just in time time to run for the hills, before my studio is submerged by Hurricane Irene...kinda kidding, kinda not 😉 SIZE: 67"x 20" x 20"

Here's the other large bag I made in '09...it's in a private collection.

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