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FOR IMMEDIATE RELEASE
BROOKLYN35 & JUNKPRINTS PRESENTS
EXPLORATIONS IN NUDE
Curated by Jen Joyce Davis & Hana Elkhazin
Friday May 13th – Sunday May 15th: Pop-up festivities and artist talk for Explorations In Nude, will be held at 5 Central Ave, Brooklyn NY 11206. The concept behind these events is a performance driven display of the artist’s work using emotions, inspirations and community connections. Events include live performances, a video screening, community yoga class, and a fundraising evening with chef prepared vegan dinner - proceeds will be donated to Black Lives Matter. Explorations in Nude is Chanel Kennebrew’s first solo exhibit. In this new work, she attempts to shake off assigned categories and invites us to explore the different definitions and associations of the term nude. In Kennebrew's opinion, society hides behind -isms (racism, colorism, normalism, conformism, westernism etc) and uses them to neatly organize and categorize practices, ideologies, and movements. Explorations in Nude is the articulation of Kennebrew’s deep dive into that world of isms. Using mixed-media, illustrations, photography, hand-cut paper, wood, paint, ink and installations, Kennebrew dissects, defaces, layers and crassly tacks on foreign elements to chisel away at society's history, power, trends and language. By exposing the layers, she clears a path to imagine, design and build a better futuristic representation of a transparent new world socially aware.About Chanel Kennebrew and Junkprints
CHANEL KENNEBREW (b.1982, Inglewood, CA) is a Brooklyn/Philadelphia based mixed media artist and prop stylist. Kennebrew holds a B.F.A. from Ryerson University and has also studied at New York School of Visual Arts and Ontario College of Art and Design. She has exhibited her work at The Leroy Neiman Gallery, Westwood Gallery, i-20 Gallery, WNYC Radio’s Green Space, Rush Gallery, Andeken Gallery, SXSW and the Manifest Hope Art for Obama Democratic Convention Gallery Exhibition. She has done site-specific installation work at Etsy’s HQ, Publicis and branded art projects for Nickelodeon, Birkenstock, Pepsi, and Macy’s. In 2013 she won first place entry in Curate NYC. Her art has been featured and written about in the New York Times, The New York Post, Gawker and The Wall Street Journal. She has spoken on panels for The Asian Art’s Alliance, Corridor Gallery, The Black Future Project (Toronto), NYFA, and Craft Magazine. Kennebrew is a contributing prop stylist for InStyle Magazine, People StyleWatch Magazine, Travel + Leisure, Real Simple Magazine, Essence Magazine and Ebony Magazine. About Brooklyn35 BROOKLYN35 is a progressive collective of musicians, singers, emcees, Dj’s, producers and visual artists who, instead of being pigeon-holed by the hip-hop genre, hang their hat on versatility. Brooklyn35 has a diverse collective of various styles, including Jazz, Reggae, RnB, Soul, and Dance. The collective’s process is in the vein of classic Motown. All aspects are collaborative from the song writing to the production. Most of our songs are created in a jam session environment. This process ensures that the music is clever spontaneous and unique. Tara Purnell is a Washington, DC-native, brought to Brooklyn by magic and good fortune. She took her first yoga class as a student of media and marketing at University of Pennsylvania and fell in love. Yoga and transcendental mediation practices continued to ground her work as a multimedia producer and grant writer for youth, arts, education and wellness. With a compassionate spirit and a zest for life, Tara has dedicated her life to celebrating wellness and mindfully meditative arts –empowering people to feel better in their bodies and express their humanity.Yesterday I met up with a long time friend and Brooklyn business owner and a commercial real estate developer pal. My friend is looking into expanding his business in Philly so I tagged along with them to scope out neighborhoods talk to other business owners and get a general feel of Philadelphia. We had some pretty interesting conversations regarding gentrification, the inevitable boring cloud that will roll over nyc due to pricing out creatives, and we also talked about our various view on what the future holds as far as urban development.
If you ever want to really get the lowdown on what's to come in your neighborhood, make friends with a real estate developer and members of city council. So much of the conversations about what will be allowed to go where are are determined by those two entities...with supposed input from the community residents. The part that was so startling to me about many of the views of the developer was how much money and aquisition of it seemed to be a primarily concern. For examples, the proposed plan to build a gated high rise luxury apartment building in an area of row houses. The community was completely against it. The developer was for it stating that by bring in higher earning residents the city could have more tax revenue. My concern is that property taxes are done based on average area incomes so that would inevitably push out old tenants by the tax increase. He argued that the schools and public facilities, such as parks would get more funding from that and get better...but better for whom? My concern was primarily for the residents that currently live in the neighborhood not the rich ones he hoped to invite. I understand that change is inevitable and cities are constantly in a state of flux. One thing that became very apparent in that conversation is that there is a huge gap in perspective in how residents view where they live and developers view that same region. I truely feel that most folks just want a decent roof over their head in a safe and neighborhoor. There are so many people in the business of shaping what that means to potential buyers, often done in a way that doesn't support diversity in age, backgrounds and socioeconomic position. Doing that isn't generally as profitable. So that gap in perspective of what the future of the neighborhood could be is so large that folks are often not even speaking the same language.
I don't think that all developers are bad folks and there are some beautiful examples of valuable developments such as Crane art and the teachers lofts on philadelphia. It's just that so much of the positive development is rarely enjoyed by people of color and old neighborhood residents. I'm sure alot of this has to do with the limited participation and involment if those parties with city planning, funding and development.
That limited involvement sounds like the same problem with every other sector (with the exclusion of activism) of business, from art, fashion, music, finance, tech, entertainment etc. At the end of our conversation I had a series of mixed emotions and thoughts.